KEMCO HOMOVIE CAMERA MODEL E &
KEMCO HOMOVIE
PROJECTOR MODEL E
Kodel Electric & Manufacturing Co., Cincinnati,
Ohio 1930 - 1931
HoMovie Camera Model E with original box
Wollensak Cine-Velostigmat
f3.5 Lens
HoMovie Model E Projector
HoMovie Model E
Projector on display at the George Eastman Museum's Dryden Theatre lobby
One Minute Kemco
HoMovie Film Tin
The Kemco HoMovie
Camera and Projector system was manufactured and introduced in 1930 by the
Kodel Electric & Manufacturing Company, of Cincinnati, Ohio. The Kemco name was derived from the capital
first letters in the company's name and an "o" (Kodel Electric & Manufacturing Company). The coming of the new HoMovie
camera and projector was announced in an article appearing in The American Cinematographer, November,
1929. The article went on to
state that the basic idea for the camera was conceived in July, 1928, and that
the new camera had been reviewed by motion picture and camera enthusiasts some
six months earlier (about May,1929).
The camera's Wollensak
F3.5 Cine-Velostigmat fixed-focus lens was specifically manufactured and
configured for the Kemco, and was available on their Model E ($110). A faster Cine-Velostigmat f1.5 lens ($75) was
available for purchase separately, or was standard equipment on the more
expensive Model G ($150). The camera
employed a rather sophisticated movement that was
termed "boustrophedonic", through which the vertical and horizontal
alignment of the film gate would cyclically place 4 images within the same
space as a standard 16mm frame. The sequence is depicted in the following illustrations
from a Kemco HoMovie
catalog printed October, 1930:
This 4 images
per frame feature was touted as saving 75% of film. In reality though, with the high cost of the Kemco Projector ($175) and the competitive costs of
Cine-Kodak cameras and projectors of the period, this cost reduction was never
realized. The boustrophedonic name is
derived from the Greek word "boustrophedon" for the pattern that oxen
make while plowing. Its meaning also
refers to a bi-directional text found in ancient Greek manuscripts, wherein
every other line of writing is flipped or reversed. The system was reportedly invented by H.B.
Ridge and Clarence E. Ogden, an engineer.
While Ogden held over twenty electrical-related patents, research so far
hasn't yielded any patents for either Ridge or Ogden covering the Homovie system. As such, no patent numbers are seen on the Homovie Camera. However, Patent No. 1,507357 for a "Reel and Spindle Mount Therefor" granted to Albert Summers Howell on
September 2, 1924, is cited on the HoMovie Model E
Projector's base. This patented design, assigned to the Bell & Howell
Company of Chicago, was licensed for use on the HoMovie
Projector:
Source: U.S. Patent and Trademark
Office
The Kemco HoMovie's unique movement
was apparently the only one ever manufactured commercially for a 16mm movie
camera, and the system required the use of Kemco's companion projector,
utilizing the same movement to project the film. Although the camera's outer casing is
constructed of Bakelite, its solid internal mechanism resulted in a camera
weighing just slightly more than Eastman's Cine-Kodak Model B of the same
era. Owing to the camera's ($110) and projector's
($175) costs when new, and the subsequent introduction of Kodak's new 8mm
format in July of 1932, the Kemco HoMovie
system's production lasted for maybe little more than a year. It has been said
that probably no more than 400 cameras were ever built, and judging by the few
examples found today, this is likely a reasonable estimate.
Constructed of
an undetermined cast metal and painted to match the camera's bakelite tone, the
Kemco HoMovie Projector was equipped with a 50 volt-250 watt lamp. Flipping a lever changed the drive mechanism
and condenser focus, providing the capability to project standard 16mm
film. One would think that, if you
bought the HoMovie Camera, you would have to buy the HoMovie Projector as well
to be able to show your films. Although
logical, it doesn't seem to follow considering that way fewer HoMovie
Projectors exist than HoMovie Cameras, making them quite rare. I am aware of at least four examples: three in private collections and another at
the George Eastman Museum shown above.
Noted amateur cine collector and historian Alan Katelle, was also aware
of another outfit (camera and projector), in addition to the outfit in his own
collection which was donated to Northeast Historic Film of Bucksport, Maine.
Both the Homovie Camera and Projector's "Model
E" designation is interesting in itself, given that there are no known
Models A, B, C or D for either one. Given the few HoMovie
Projectors seen, this projector's Serial No. 1158 suggests that serialization
most likely started with No. 1000.
By 1931, ads
for the Kemco HoMovie
system in Movie Makers Magazine
no longer appeared, suggesting that sales or production had ceased. Kemco HoMovie Cameras are rather rare, but periodically one will
surface. I'm confident that a few more
HoMovie Projectors exist in collections, and there are probably several sitting
in the backs of garages, closets, attics or barns just waiting to be
discovered.
Ads from Movie Makers Magazine,
October 1930....by 1931, ads for the Kemco Homovie no longer appear in Movie Makers Magazine
Kemco HoMovie catalog,
October, 1930